Architecture

Kaidala- A hidden treasure

During the reign of Hoysala king Narasimha-I, a chieftain named Guli Bachi ruled Kridapura. Guli Bachi seems to have been a secular overlord and he patronized all religions-Jainism, Buddhism, Shaivism and Vaishnavism building temples and Basadis. In honor of his father and grandfather, he built the temple of Gangeshvara and Chalavaneshvara respectively. Another temple for Krishna- the Chennakeshvara was also said to have been constructed by him.  Can you guess the identity of the place?

If you cannot, here is another interesting tidbit. The idol of Chennigaraya inside the Chennakeshvara temple is said to have been sculpted by the famed Jakanacharya who is also credited with Chennakeshava temple at Belur.Any guesses?

It is Kaidala- a place just five kilometers away from Tumkur and rather popular. It was here that Jakanacharya’s hands or kai were restored back to him by the grace of Chennigaraya. Hence the name Kaidala,Kaydala. Though no one knows whether Jakanacharya was just a legend or really a master sculptor, this town was said to be his native place.

At first glance, Kaidala does not seem impressive. Mud roads with fields on either side lead to the Chennakeshvara temple,Kaidala. The temple is simple. It has a garbagriha-inner sanctum and a hall-Navaranga. There is rather a modest gopuram at the entrance and the outer walls are bare, unadorned except for a few carvings here and there. However, looks can be deceptive.

The black stone idol of Chennigaraya carved from saligrama stone is impressive. Five feet, six inches high it is flanked by Sri Devi and Bhoodevi his consorts. The idol is a masterpiece in itself and is a tribute to Hoysala craftsmanship. Behind the idol, there are the carvings of ten incarnations of Vishnu.

At the entrance of the temple, you can see a figure with a dagger and folded hands. It is the figure of chieftain Guli Bachi. Some opinion that it may be the figure of Jakanacharya as well. The gopuram of the temple was built during the Vijayanagara period. The walls have scattered carvings of riders, yalis and some figures from Ramayana as well.

In the east of Chennigaraya temple, there is the Gangeshvara temple. It is a Dravidian style temple dedicated to Shiva. The outer stone railings of the temple have the carvings of elephants and flowers. The Navaranga inside has four black stone pillars of the Hoysala style. An inscription slab inside the temple in Hale Kannada credits both these temples to Guli Bachi, time period 1150 AD. There are six hero stones at Kaidala and one of them can be found in the temple vicinity.

So many treasures and stories abound in the dusty hamlet of Kaidala.

Come join us on Devarayanadurga day trip and uncover them one by one!

–Usha

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Heritage structures in Lalbagh

Last year the Krumbiegel hall was demolished. It was a lecture hall used by Gustav Hermann Krumbiegel, the eminent superintendent of Lalbagh. The handsome colonial building that was witness to numerous lectures and session on gardening and Botany was razed to the ground. Though the 100 year old structure was a heritage building, yet it was pulled down- No laws to protect it you see. However Lalbagh is dotted with plenty of such structures. Before they too bite the dust here is a brief overview of some of them.

Pigeon House:

This structure near Siddapura Gate of Lalbagh is a structure of 1893 constructed during the time of John Cameron. The cylindrical shaped structure, 15 feet high has holes all around it for pigeons. Around 100 pairs of pigeons can dwell here. The Pigeon House also has a watchman’s quarters within.

West Guard Room:

This beautiful guard room near the West Gate of Lalbagh was once part of Diwan P.N Krishnamurthy’s House. When his house was getting dismantled the then Director of Horticulture- H.C Jayaraya got it here sometime in 1940’s. The granite structure, shaped like a lantern with glass windows all around it, is beautiful sight when lit. It glows like a lantern in the dark.

Directorate Building:

This building was constructed in 1920 when G.H Krumbiegel was the Superintendent of Lalbagh. He wanted to set up a college of Horticulture here with a library,museum,lecture rooms etc. This dream however did not come true. Today the building contains the offices of Directorate of Horticulture.

Lalbagh Library:

This colonial building was the house of Superintendent of Garden. The structure exists from 1839. When Lalbagh was under the Agricultural Horticultural society,  secretary William Munro mentions expenses incurred for construction of a house for Superintendent of Lalbagh. This structure had a number of rooms like drawing room,store rooms,halls etc. Today it houses the Lalbagh Library.

Other structures:

The Glass House, Band Stand, Aquarium building, Deer Paddock are other structures. The Deer Paddock was a tiled free standing structure that once sheltered deer. The Band Stand once used to hold flower shows before the construction of Glass House. The Victorian styled Band stand existed prior to 1870. The Glass House got constructed during the times of John Cameron and its foundation stone was laid by Prince of Wales in 1889. The construction was done by MacFarlane and Company, Glasgow. They were also responsible for designing the Cameron Gate of Lalbagh sometime in 1891.

The next time you visit Lalbagh do spare these heritage structures a glance. They form a valuable part of history. Do join our Lalbagh Walks if you wish to know more.

–Usha

A glimpse of South Kanara Temples

South Kanara is scattered with temples some 5000 of them infact. You cannot escape one even if you want to. You head to the seashore and along with the roars of waves you will hear the clang of temple bells somewhere in the distance.

Photo Source:hpkodancha

You trek a hill and lo you will notice a small structure- a mantapa of sorts and an idol inside. You go on a shopping spree but you cannot help but see a shrine tucked in one of the saree by-lanes. So I have given up and instead I have started focusing on what type of temples these are whenever I have visited Dakshina Kannada.

The temples of South Kanara look modern on the outside yet they are very much ancient some dating back to 6th century and even earlier. Just take a look at the inner sanctum , the Mukha Mantapa, the ornamental balustrades leading to the sanctum and you will know what I am talking about. The temples, be it atop a hill or on a highway confirm to certain structural parameters. They are either square,circular or rectangular. The Jain temple which South Kanara is famous for are generally of granite, located amidst scenic locations-top of hills, amidst greenery ….

So a question arises, why so many temples and Jain Basadis here in the land of Tuluvas or Tulu speaking community? The answer in part lies with the rulers who ruled this part of the country from ancient to modern times. The temples had great patronage of kings be it Alupas,Vijayanagara Kings, Keladi Nayakas or local rulers like Chautas, Bangas,Bhairarasas,Ballalas and Heggades ruling South Kanara.

Presence of Jains:

Jainism especially had strong presence especially in 10-11th century as it was having support of Bhairarasas of Karkala and Chautas of Moodbidri. The Gomata structure at Karkala for instance was installed in 1432 by a Bhairarasas king- Veerapandyadeva. The 1000 pillar Basadi in Moodbidri was built in phases and its first phase was constructed by Chautas of Moodbidri and Ballalas in 1429.

Chaturmukha Basadi

Photo Source: By Anoopratnaker [CC BY-SA 3.0 or GFDL], from Wikimedia Commons

Hindu Temple Architecture:

The Hindu temples too are plenty.  The worship of Mahishasuramardini,Krishna, Janardana,Mahalinga and Ganesha is quite common here. South Kanara temples are generally surrounded by a big compound or Prakara made of Laterite bricks- these bricks abound in plenty.  Inside the temple you will notice a Balipeeta and Dwaja Sthamba-a flag mast made of wood,covered with copper plates. You will also see a Mukha Mantapa- a hall at the entrance, then a Navaranga and then the inner sanctum. Most often rectangular temples do not boast of an inner parikrama passage while Square temples do not have Mukha Mantapa. Shiva temples on the other hand are most often circular temples.

Udupi Temple

Photo Source:

The rooftops of temples are generally thatched in villages. In some places they are covered by stone slabs and in some places they are covered by copper plates. They are generally sloped to protect against heavy rains that are quite common in the coastal areas. And chariots are generally present as every temples celebrates its annual procession and its fair in style.

Faith and Hope:

These structures are just not temples alone. They are part and parcel of South Kanara heritage and culture. Festivities and functions are planned keeping in mind the temple calendar of events. Partake of certain foods is restricted during monsoons, fasting is observed most often in the community near temples and faith has seeped itself in to the daily activities of the South Kanara People. Here temples are not just inanimate structures but represent faith and hope of the Tuluvas community.

–Usha

Bhoga nandeeshwara temple

The first thing that impressed me about Bhoga nandeeshwara temple is that it has a huge temple complex. This is a rare phenomenon. In the city of Bangalore, we have very few temples that boast impressive entrances, tanks not to mention huge courtyards. So this is a relief, even if it meant travelling outskirts for an hour or so from the city. The next thing you notice are the various peaks with varying heights forming a background finale for the temple. A sense of calmness descends on you, as you go nearer and the feeling compounds when you sight a Peepal tree filled with the talk of Parrots. Ha ..where else but outskirts of Bangalore can give you this kind of feels.

Bhoganandeeshwara-entrance

As I trudge forward, I encounter a vijayanagara style pillar inside the courtyard. There are numerous temple shrines inside the complex of Bhoganandeeshwara. And the surprising fact!  Five dynasties have put their energies in building this temple. But it looks like a single structure.Bhoganandeeshwara-temple

Make a guess to as to how old the temple could be. 500 years? 1000 years? Might be, as the  Arunachaleshwar temple in the Bhoga nandeeshwara temple complex has been built by Gangas . Arunachaleshwar, Bhoga nandeeshwara, Yoga nandeeshwara all are different names of Shiva. While Arunachaleshwara represents the childhood phase of Shiva, the Bhoga Nandeeshwara – a house holder and Yoga Nandeeshwara at Nandi hills that of a renunciate.

Arunachaleshwara Temple:

The temple of Arunachaleshwara is quite calm and as you sit down in front of Linga, you know you are viewing a 10th century Linga of stone. And you feel humble almost spiritual, in the small but earthy shrine. The local lore mentioned that prior to being a Shiva temple this held a statue of Keshava. But a Chola king shifted the Kesava idol from here and installed a Linga. Inside the shrine there is the statue of Simha Ganapati and below on the floor you can see the figure of Bhaire Gowda, ancestor of Kempe Gowda paying respects.

Outside the shrine a lone stone Nandi, pays obeisance to Arunachaleshwara.I exit out and head to the shrine besides it- the temple of UmaMaheshwara.

UmaMaheshwara Temple:

Built by Hoysala dynasty it is a beautiful stone structure. The pillars, walls and ceilings have beautiful carvings inside the shrine and the Navaranga outside it. Notice the four pillars inside the shrine, you will see not an inch of space left free. They depict thousands of birds, creepers, animals and gods in their spaces. The priest explained that this shrine is popular for solemnizing marriages- UmaMaheshwar who are the embodiment of Shiva-Parvati are a happy couple. As if it to lend proof the walls of the temple have Shiva and Parvati’s marriage scenes depicted.

Bhoganandeeshwara-carvings

Right next to this temple is the BhogaNandeeshwara.

BhogaNandeeshwara Temple:

What a beautiful temple said to be built by Cholas.  The Linga is impressive and you are filled with a sense of wonder gazing at it. A statue of Chola king is installed inside the shrine. However looking at the neck and especially the ear ornaments it looks like the statue of Jain Thirthankara. Much before the Cholas, this region was in the hands of Gangas. And they gave patronage to Jains and the religion flourished during their times. The famed Saravanabelagola was constructed by a Ganga Chieftain. So a local book mentions that perhaps Bhoganandeeshwara and the Yoga nandeeshwara above Nandi Hills were Jain Basadis that were later converted to Shiva temples by Cholas.

Inside-Bhoganandeeshwara

After all that musings I head outside. A walk around and you realize that there are more structures. Two more temples dedicated to wife of Arunachaleshwara- Apita Kuchamba  and of Shiva – the Prasanna Parvati- are present here. Once again the walls of Apita Kuchamba depict marriage scences. The other structures like wedding hall-Vasantha Mantapa, Tula Bhara, pillars were developed later by Vijayanagara rulers.  As you go around take a look at the lattice windows, some 10 in number that provide the necessary ventilation for the temple. They are beautiful filled with intricate figures and shapes. Bhoganandeeshwara-walls

Shringa Theertha:

Just ahead is the Shringa Theertha- the temple tank. There are various reasons why it has got the name Shringa. Some say a saint Shringa meditated here. And some say that Nandi the bull pierced his horns- Shringa and brought out the water of Ganges at this spot. Whatever might be the reasons behind its name- the tank is beautiful surrounded by stucco figures-some in ruins, some disfigured. The distant peaks, the setting sun created an ethereal glow on the waters and the ruins-the memory of which lingers with me even today.

Bhoganandeeshwara-tank

A sign board mentions that this tank is the source of South Pinakini river.

How to get to Bhoga nandeeshwara temple?

Take the route towards Nandi Hills. Once you reach Karahalli Cross take a right towards Nandi grama. The temple is in this village.  This is one of the nearest and best places to visit near Bengaluru. Or join our Temple Trails tours.

–Usha

 

A glimpse of Indian Colonial architecture

A tiger skin hangs majestically in the drawing room, the column at la Martiniere,Lucknow is a fitting tribute to the surrounding landscape, the card room of Faluknama Palace, Hyderabad gives you a glimpse of the British aristocracy … These were some of the displays at the ‘Shadow of the Raj’ exhibition by photographer Derry Moore who had captured some of the Colonial scenes in mid 1970’s. All set in monochromatic tones, the architectural scenes, the landscapes and the portraits succeeded in ushering you back to the colonial era. Derry Moore had mainly toured Calcutta, Hyderabad, Lucknow, Chennai, Mushirdabad,Mumbai and captured the British colonial scenes back then…

The exhibition prompted me to explore a bit about the colonial architecture in the country and here is what I found..

The ancient Indian scene:

The Indian architectural scene had been rich and diverse even before the arrival of the European powers be it Portuguese, French, Dutch or the English in the country . Just take a look at the ancient Indian architecture – Sanchi Stupa,Mahabodhi temple, cave temples ….

Sanchi Stupa

Photo Source

Or the medieval architecture that saw Mughal styled structures- Tajmahal, Fatehpur Sikiri to name a few.

Fatehpur Sikiri

Photo Source

The foreigners who arrived initially came with the sole intention of trade. So these European powers began building ware houses, offices, churches in the beginning. Their architecture styles especially churches predominately revolved around Roman, Gothic, French influences etc.

A church in Goa

Photo Source:

With the political dominance of English in the country there was a fusion of European architecture with Indian buildings. The initial structures were the barracks, residential buildings of the cantonments. There was a influence of local element too especially in the officers residences. The Bangla of Bengal was adapted to suit the tastes of the European officer and so it became the vast free standing Bungalows of today. 

Before the 1857 revolt the construction of colonial buildings depicted the imperial power of the English. The official structures be it the post office, police stations or administrative offices were modeled to showcase this aspect. Often they followed the European classic style or the Gothic style revealing the superiority of the buildings of the west.

Victoria Terminus

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After the revolt the structures built were to showcase solidarity between the British and India. Thus European buildings now started adding Swadeshi elements. Thus the resultant style was often Indo- Saracenic found in most of the buildings in Chennai- Senate House, Courts, Post offices etc. Bombay however retained its Gothic style. Victoria Terminus is a fine example of this.

tipu-summer-palace

tipu-summer-palace

With the shifting of capital to Delhi in 1911, the British focus was to showcase the imperial strength of their empire. The planned city incorporated a fusion of styles- Mughal, Buddhist symbols… You can still see domes, arches,lotuses and symbols like Elephants in the buildings of the new capital. A glimpse of this type of building can be seen in many of the city’s strutures- prominent one being the Rastrapathi Bhavan.

Rastrapathi Bhavan

Photo Source

With the British leaving the country, these colonial structures remained in remembrance of their rule. Alongside these heritage structures mushroomed skyscrapers, apartments,corporate housing and the shiny glass and chrome buildings that we see today. Yet these yesteryear structures say many a tale of the days gone by. And these are the very stories that we explore in our British walks be it the Bungalow Walk or the Cathedral Walk in our city. Come join us to hear more of such interesting tales.

–Usha

 

 

 

 

Seven Must Have Experiences at Badami

The evening sun sets in. The last rays of sun hits the almond colored cliffs in front of me. And the sandstone turns golden. The view leaves me spellbound. And I forget the tiredness, the last eight hour journey has brought me. I have traveled 500 odd kilometers from Bangalore through traffics, highways and bumpy lanes to reach this lovely history rich city of Badami.

Badami was the capital of the early Chalukyan dynasty. This dynasty ruled most parts of Deccan Plateau and the areas around it between the sixth and eighth centuries.  Thus the city was an important historic center in South India then. Ancient cave temples, placid lakes, and ruins- the city is dotted with myriad attractions.  Here is a brief overview of some of them.

  1. Cave temples of Badami

Dated between the sixth and seventh centuries the four free standing rock cut temples are a revelation. The exquisite carvings, the designs, icons, reliefs and the artwork on the stone columns, ceilings, halls and inner sanctum deep inside the caves transports you in to a different world. The first cave temple is the oldest built around 543 AD and is dedicated to Hindu God Shiva. The second and third cave temple is dedicated to Hindu God Vishnu. The last cave is of Jainism faith and it has the figures of prominent Tirthankara (saviours) of Jains.

Note: One of the key attractions in Cave-1 is the dancing figure of Shiva with 18 hands. The figure displays around 81 dance forms with the help of these 18 hands. While there take a look at the pillars too. There are around 83 types of jewellery designs carved on them. Various incarnations of God Vishnu, amorous couples, different costumes and hairstyles like Korean and Mongolian- the scenes in cave-2 and cave-3 depict the daily lives of the people then.

badami

  1. Archaeological museum:

Celestial gods, hero stones, narrative stone panels depicting mythological stories, pre historic exhibits-the archaeological museum is a gold mine of information about the history of Indian architecture and Badami.

Note: One of the key attraction here is the figure of goddess of fertility called Lajja Gauri (Nude Goddess) .Carved out of grey sandstone she is shown in the birth giving posture. Traditionally the fertility goddess was worshipped by women aspiring to become mothers.

  1. Bouldering:

Badami is a haven for rock climbers. The fissured rocks, the soaring vertical cliffs, the horizontal cracks provide a challenging bouldering experience. There are various routes graded 4a-8b+ suitable for both amateurs and professionals alike.  There are more than 100 bolted routes in this area.

Note: Beware of the heat. Badami is hot throughout the year. December-February months are slightly cooler though and can be a good time to rock climb early mornings.

  1. Trekking to Badami fort:

The hill opposite to the Badami cave temples holds a number of ruins, shrines and fort.  The climb is steep through stone carved steps and is full of delights. As you trapeze over the narrow winding path you see copper coated volcanic rocks towering around you. The stone fort, the observation posts, the dome like structures to store arms, the temple ruins –the one hour climb can be a novel experience.

Note: The view from the top is simply amazing and a popular haunt of photographers. The artificial green lake below, the vertical rock cliffs across with  its rock cut cave temples, the lone stone watch towers atop, waterfalls from the cliffs during the rainy months-all make for inspiring photographic shoots.

badami

  1. Taste the protein bar of Badami -the Karadant:

Karadant translates to fried edible gum in local dialect- Kannada. Similar to protein bars the Karadant sweet is high in amino acids, omega fatty acids and antioxidants. Prepared with either sugar or jaggery, the chewy textured sweet is full of cashew nuts, dry grapes, dates, peanut etc. Jaggery comes from either of these two villages -Amingad and Gokak. So the sweet is labelled either Amingad Karadant or Gokak Karadant depending on from where the jaggery came and the sweet was manufactured.

Note: Most of the sweet shops and small outlets near temple complexes store these sweets. They are a bit pricey, a 200 gram of this sweet costs more than 100 Rupees, but are worth every bit. If you are nut allergic keep away from these sweets.

  1. An enriching experience at Badami farms:

Sunflower, sugarcane, millet, cotton-these are some of the crops that the farmers of Badami grow.  Harvest season sees a flurry of activities here.  Reaping crop, threshing, winnowing, tilling of the land to grow seeds and sowing are some activities you can witness. The black soil, the harvest in front of you, the grins of the farm ladies as they welcome visitors can turn out to be an enriching experience.

Note: October is the harvesting season for Corn. So a drive towards Badami can be colourful with not only the harvesting activity in full swing but also for its dashes of colours. The yellows of Sunflower, the orange hues of Marigold and the clear white cotton blooms amidst the golden corn can be a beautiful spectacle.

  1. Visit the heritage sites Pattadakal and Aihole:

While Pattadakal is 22 kilometers from Badami and Aihole is around 36 kilometers both are worthwhile destinations for sightseeing. Pattadakal, a world heritage center was the place for coronation ceremonies of Chalukyan kings. Aihole was an architectural and educational center with more than 125 temples within 3-5 kilometer radius of the village. Aihole has some interesting prehistoric sites too at the Meguti hillock.

Note: Don’t forget to savour the corn bread with a dash of rich legumes or eggplant curry accompanied with cold yogurt in pots. The simple fare served by villagers here is actually very delicious and healthy. The corn after all comes from the nearby farms.

–Usha

 

 

Of Memories and Sacrifices- The Hero Stones

A sense of wonder envelops me when I gaze at these stones. Lying neglected under the harsh sunlight at Cubbon Park, they tell a thousand stories of centuries gone by. No amount of dust and years can mar their value. These are the hero stones of yesteryear dedicated to brave men or women who laid down their lives while protecting others.

Hero Stone

The story of the hero:

Also known as Virrakal, these belong to a period between 3rd century BC-18th century AD. Such stones are common in Karnataka and have been found in Tumkur, Shimoga, Bangalore etc. They tell the story of the hero, the battle he fought, the cause of his death and ultimately his union with God. There are 3-4 panels sometimes more, on such stones depicting each event in detail.

Various panels of hero stone:

The bottom panel shows how a hero died. He is shown larger than the others and his cause of death can be understood from this. Bows, arrows, swords, soldiers, horses -a typical battle scene may be described here if the hero died during a battle defending women or livestock. The middle panel shows the hero being taken to heaven by the angels and the top layer shows him being one with God. Inscriptions could also be written sometimes on the stones, narrating the act of bravery done by the person. A hero stone could be dedicated to a man, woman or even an animal. A hero stone for a hound that had killed 70 boars  can be seen in Kolar district.

hero stone

Types of hero stones:

The hero stones are of different types. Some are Sati Stones also known as Masti that tell the stories of women who immolate themselves  on hearing their husband’s death. The widow enters the pyre either with her husband’s body or without. The widow is worshiped as a goddess thereafter and is shown with her right hand rising upwards conveying her blessings to all.

Some are religious like the Nisidi stones that depict Jains who have taken the last vow of Jains- the Sallekhana where they have  voluntarily left the body by reducing food and water. The Pendirudeyurchu hero stone is where the hero died protecting women, the Turugol is where the warrior died defending cattle, the Gadi Kalaga is where the champion died defending border, forts or territories.. The bottom panel generally depicts these scenes in detail.

The era of these stones may have long gone. Yet their heroic deeds, sacrifices cannot be put aside. Dead in any form should be respected and those who gave their lives should be honored, be that centuries may have passed. So the next time you see them, don’t just pass. Pause, take a look at the panels, show them to your kids. Let knowledge transfer happen so that these stones don’t bite the dust over time.

If you wish to see these stones come for an Unhurried Walk with us. The walk schedule is put up here.

Usha